“ ] Elena Prokina’s Marie, done up in trailer-trash tight jeans and high heels, flees depress for degradation, but finaly yields meekly as Wozzeck leads her to the death. Alternately whimpering and blazing, her versatile soprano is a personality in itself.[ ]
This Wozzeck would be a distinguished production in any opera house in the world. For the Dallas Opera it represents a breathtaking new level of artistic sophistication. Dallas should be proud. And no one interested in serious, demanding theater shoulf miss it."
Scott Cantrell: " Valiant 'Wozzeck' ( DSO up to brutal tadk with masterpiece)
Dallas Morning News, 02/12/2000